Die Ölgemälde alles Rembrandt Harmensz Van Rijn


Choice ID Image  Painting (From A to Z)       Details 
39805 A Medallion Portrait of Muhammad-Adil Shah of Bijapur  A Medallion Portrait of Muhammad-Adil Shah of Bijapur   mk153 1654-1656 9.4x7.6cm
53809 A woman with solfjader of a strutsplym  A woman with solfjader of a strutsplym   mk234 about 1660 100x83cm
69146 batavernas trohetsed till claudius civilis  batavernas trohetsed till claudius civilis   1661-1662 olja på duk 196x309 se
69147 batavernas trohetsed till claudius civilis, detalj  batavernas trohetsed till claudius civilis, detalj   den sene rembrandts fria penselteknik framgår tydligt i framställningen av glaset t. h. på claudius-målningen se
50246 City wall in the winter  City wall in the winter   mk210 c.1650 Canvas 74x105cm
51314 Hendrickje Stoffels in the Window  Hendrickje Stoffels in the Window   1656-57 Oil on canvas, 86 x 65 cm
53812 Joseph is accused of Potifars wife  Joseph is accused of Potifars wife   mk234 1655 106x98cm
53813 Judebruden  Judebruden   mk234 1665-67 122x168cm
69145 kokspingan  kokspingan   1651 olja på duk 78x63 se
84266 Portret van Rembrandt  Portret van Rembrandt   ca. 1640(1640) (1639-1641) Medium Oil on panel Dimensions 62.5 x 50 cm (24.6 x 19.7 in) cyf
51139 Saskia with a Child  Saskia with a Child   c. 1636
53811 Self-Portrait  Self-Portrait   mk234 1659 84x66cm
53810 Sjalvportratt at about 21 ars alder  Sjalvportratt at about 21 ars alder   mk234 about 1627 20x16cm
68549 Stadt auf einem Hugel bei sturmischem Wetter  Stadt auf einem Hugel bei sturmischem Wetter   1638(1638) Oil on wood 52 ?? 72 cm

Rembrandt Harmensz Van Rijn
b. 1606 Leiden, The Netherlands, d. 1669 Amsterdam,Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.



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